![]() After turning Kermit into a chart-topping success with “ Rainbow Connection,” the songwriter returned for the furry troupe’s best ever outing. There’s something about Paul Williams and puppets that just works. The world is at her best, you know, when people love and care.” “There’s magic in the air this evening, magic in the air. Even Bing Crosby would struggle to rival the cool of “ Oogie Boogie’s Song.” 3. Chris Sarandon delivers “Jack’s Lament” with Shakespearean relish before leaping through the note-perfect pastiche of festive numbers, “What’s This?” But it’s the spooky set pieces that steal the show. Leitmotifs pop up repeatedly as songs overlap and you can clearly hear that the voice cast are enjoying themselves. ![]() The rushed pizzicato strings on “ Late For Work” are a neat satirical swipe of suburban life in the run-up to Christmas, disturbed by the booming menace of “Too Many Gremlins.”īatman Returns Is The Greatest Anti-Christmas Gift of All! By David CrowĪ stark contrast to Hollywood’s classic winter musicals, the ambitious project gives Elfman a chance to show deceptively versatile his twisted harmonies are. Deagle” is a highlight) and unexpected stabs of violence (“ Kitchen Fight”). It begins with a full-on fanfare, a la classic Hollywood, before descending into a warped world of cheeky offbeat clashes (“ Mrs. ![]() Full of keyboards and pitch-bending synths, it’s as 1980s as it gets. One of film music’s all-time greats, Jerry Goldsmith approached Joe Dante’s classic with a suitably dark sense of humor. Skip through those tracks and just listen to Blake’s instrumental work instead. Aled Jones found global fame with his 1985 cover, but Peter Auty’s original vocals are the real treat – they even make up for James Nesbitt’s narration (replacing Bernard Cribbins) on the latest album release. The stomping woodwind and tip-toeing harp conjure up our hero’s sludgy escape, climaxing, of course, in that familiar rising and falling piano and haunting choirboy voice. Translated wordlessly to the screen, Raymond Briggs’ picture book relies on Howard Blake’s score to provide its color. Over in the States they have How The Grinch Stole Christmas, but for the Brits, the quintessential kids Christmas animation is The Snowman. A stripped-down combo of piano, bass and drums, Guaraldi’s trio improvise around “ O Tannenbaum” and “The Christmas Song” with a dexterity that flourishes on the lively piano-driven “Linus and Lucy”–an infectious tune that soon became the signature theme for all of the Peanuts animated features. Vince Guaraldi’s bluesy score, a jazzy arrangement of Christmas carols and other standards, nails that balance between festive joy and seasonal malaise. A Charlie Brown Christmas (1965)Ĭhristmas is coming, and it’s more commercialized than ever. Who knew there were so many words to rhyme with “express?” Hanks does his best to list them all. “That’s the way things happen on The Polar Express!” Manifest. But even that absurdity can’t compete with the sound of Tom Hanks singing the titular track: “With a little luck we’ll be on time, there’s no need to stress,” he chunters. If that’s not enough, of course, there’s always Steven Tyler singing “Rockin’ on Top of the World” with a group of CGI Aerosmith lookalike elves. ![]() Why Chronicles of Narnia’s Santa Claus Celebrates Christmas with Weapons of War By Juliette Harrisson
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